So what has arisen from this process? It would be too long (and possibly too boring) to go into it in massive detail, so let's have it in bullet points:
My work this year has been:
- Self-reflexive
- Concerned with manifestations of authority in art (or the institution, of the performer, etc.) and what happens when these authorities are questionned or played with
- Task-based and improvisational
Where I need to take my investigations into Failure:
- Needs narrowing down - too broad, even if it is just focused on the performing body
- Needs awareness of the thin line between failure and success - how are these concepts judges, at what point does one become the other, and where do my investigations stand in relation to this?
- How can I bring in considerations of the audience into my investigations?
...and more...
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